Auras seem to be artifacts of our interactions with all the rest of creation to manifest what we need in our world. Auras are a kind of visual key to understanding the negotiation or mediation processes between our conscious, subconscious, and unconscious desires and our collective superconsciousness, which is our link to creation through which all our dreams manifest.
When we pray, meditate, or daydream, our auras become more charged and we may find that our prayers are answered, our thoughts have come true, or our dreams have come true. We often attribute this type of experience to coincidence, but those of us who are familiar with the belief that we create our own reality understand that this is not coincidental; instead, those people know that this is our natural ability to directly manipulate reality, which we are developing on a level of our consciousness using our thoughts and feelings to guide us.
There is a real interaction between us and the world around us on a subtle level that can be perceived by developing the talent to see auras. Everyone has this ability; it is an innate part of who and what we are. However, developing this talent to the point where we can consciously perceive and study auras can take a bit of work. By imagining that we already have the ability to do this, we can pave the way for turning this talent into a useful tool in our lives. While imagination may be our first step on this journey, our journey will continue beyond the limits of our imagination and can manifest itself in a very real talent that helps us perceive the world around us more clearly and change this world in a different way. more deliberate way.
I find that auras appear as colors moving around and within a subject. With any given theme there seem to be many colors associated, usually there are a few particular colors that seem to be dominant. Colors and their shapes and movements often change in response to my thoughts or the thoughts of my subject while I am studying them. The interactions of my thoughts with the colors of my subject’s aura help me begin to develop an idea of what is going on in my subject’s life and what they may need to learn.
Each color or color combination seems to have its own theme, as follows:
Red —————— Vitality, Energy, the number 1
Red/Orange ——- Physical Activity, Vigor, the number 4
Orange ————- Organization, Thought, number 4
Orange/Yellow — Social Activity, Joy, the number 3
Yellow ————– Communication, Speech, the number 3
Yellow/Green —– Healing Activity, Illness, the number 7
Green ————— Creativity, Health, number 6
Green/Blue ——– Caring, Caring, the number 6
Blue —————– Devotion, Love, the number 2
Blue/Purple ——- Learning, Spirituality, the number 8
Purple ————– Wisdom, Compassion, the number 9
Purple/Red ——– Potential, abrupt change (often accidents or danger), the number 5
Note: The colors form a spiral or circle and return to red at this point.
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The following are some special exceptions to the colors I see most often in auras.
BROWN ———– Confusion, Opposition, Conflict, the number 5
CLEAR ————- An exceptionally spiritual being, spirit guides, the number 9
WHITE ————- Influence of very spiritual beings, guide, number 7
GRAY ————– Influence of a less spiritual being, the bureaucracy, the number 8
BLACK ————- A being that indulges in harm to other beings, domination, the number 2
Note: The numbers attributed to each color are loosely associated with their numerological meanings. Tarot-logical and Astrological associations can also be attributed to each color.
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I have generally preferred to draw a portrait of my sitter on a coarsely textured, neutral gray paper using pastel pencils. Drawing the underlying shape of my subject’s face takes about five minutes to create a light sketch, while the act of drawing helps me transition into a more meditative and receptive state of mind where colors start to become lighter.
If there are no dominant colors or patterns, then I consider each of the colors in order from red to purple/red in several repeating cycles until I feel a particular color harmony beginning to emerge. (A set of color cards or a color wheel can be a useful tool for this purpose.)
Since the colors move, I have to watch them for patterns and intensities and then montage the subjects I see so that the most striking or important parts are portrayed.
I talk to my subject as I sketch, making suggestions that return responses in my subject’s aura, helping me unravel the meanings of colors and what is likely going on in my subject’s life shown in the aura.
The dark or cloudy parts of an aura usually represent secrets or information that my subject is suppressing. Often these are things my subject is painfully aware of or is trying to deny.
Clear, bright, or glowing parts of an aura indicate well-being and balance.
The shiny pieces represent an anticipation of impending events.
It is possible to see another person’s influences on my subject when my subject focuses on that person; then it may be apparent what role that other person plays and whether he will help or hinder my subject in any particular way.
Like all psychic practice, the reader must always keep in mind their own state of being and must be careful not to project details of their own life into their reading of a subject.
My paper tablet becomes a special window for me. On the one hand I contain myself so as not to contaminate what I see through my window. The life of my subject appears to me through my paper tablet. The window of my paper tablet helps me keep my reading focused on my subject while inhibiting me from interspersing a reading to myself in the process.
If you’re not artistically skilled, you can still use the paper tablet and colored pencils, instead of striving to produce a likeness of your subject’s physical features, dispense with the portraiture preamble and instead scribble as you study your subject until that the inspiration arrives to start reading your will have.
My personal favorite color combination is green and purple. These two colors in combination represent art in the magical sense and creative activities like writing or painting in the more mundane aspect. Usually this color combination is accented with gold or yellow. This is the property by which Art or art speaks to us, transforming us.
The potential of Art (Magic) within the act of drawing a portrait is very strong. The reader may act as a healer and may attempt to downplay a subject that may be associated with pain or suffering, while emphasizing themes of happiness and spiritual advancement. But it is necessary to guide the subject when applying any Art, since the subject may need the lesson of a pending difficulty and the lesson has yet to manifest within his life in some form. Usually this kind of lesson is repeated over and over again in a subject’s life; therefore, the instruction can be drawn from their past, so that they can finally ‘get it’ and dispense with the need for many more repetitions of a lesson that can become potentially harmful or unpleasant in nature.
The application of Art seldom prevents the next cycle of this repetitive lesson from unfolding, but it may improve the next cycle to a greater or lesser degree and the subject may learn better from the next repetition of his lesson if the reader has adequately prepared them for it. perceive and understand his lesson.
To start your own exploration of auras, get some crayons and some rough neutral paper. The backs of brown paper bags are great for this. You can use photographs, objects around your house, pets, plants, or people as your subject. Black and white photographs are particularly good for this type of exercise. Place your subject against a neutral background, such as a blank white wall. Study your subject at the edges, if it is a person pay special attention to the crown chakra where the energy channel is usually strongest. (You can also try directly observing a subject’s chakras.)
Personally, I think the edges of a subject’s profile are the best places to start seeing the interplay of colored light emanating from them. If you feel like you don’t see anything, then imagine what you think you might see if you could see auras. Take notes with the colored pencils and try to associate your thoughts with the colors as you take notes. You can do this by simply using the color crayon that seems most appropriate to write your thoughts on. You are not required to organize your perceptions in image form. Sometimes a thought can have one strong color and several colors associated with it. You can freely overwrite what you’ve written with the same words in a different color when you see fit, or you may find that new words pop up by selecting a new color in association with something you’ve already written or drawn.
Just allow this to happen; don’t get too invested in how you do this or what you would like to know about a topic. Instead, open your heart and mind to every smallest thought and feeling and follow them wherever they lead.
May your colored pencils dance on your pad of paper while your heart dances with creation…